By its very nature, in a documentary there has to be an
element of establishment of the subject -results of subject research
should be elaborate and logical. Also, enough time should be given to the
development of the subject so that the theme of the documentary sinks into
public mind.
On a theme like literacy of rural women the subject
research will
- include
detailed figures of literates in the country and
- the
number of women literates in a given society.
The documentary should try to provide a profile
of the tribe or caste or language profile of the village in
which the documentary will be shot. The research part of the
documentary should provide clues to the scriptwriter to
produce a shooting script.
For documentary scripts words should follow visuals,
but should be written in a narrative form. In a
documentary narration a little more information needs to be given keeping in
mind the interest of the viewers.
The technique of documentary writing is different from other
two categories.
- The
span of documentary is more elaborate.
- The
narrations should include investigative data by which the logic
behind the theme is established before the viewer. I
- In
the end, the viewer should be, in a position to feel the emergence of a
message or should feel enriched with some information which is
audio-visually communicated to him.
Steps in documentary writing
A Research
After the selection of theme, the message should be churned
by the producer-director in his mind and research should be
initiated on the theme. Here the story is regarding the Tirunelveli
Kaani People. Hence the first step would be to conduct a research
about the area, the economics, - politics and sociology of Kaani People, as it
was known in the history.
Curiosity
The best research is done when there is a genuine desire on
the part of the scriptwriter to learn more about the subject of his
documentary.
Quantity Vs Quality
One of the more important questions that scriptwriters have
is, “How much research is enough?” The quality of research is far
more important than the quantity.
The ‘Strategy’
Almost every scriptwriter starts off with a research
strategy. It’s important to think about and list down every approach and
every source you will use to gather information needed for research.
Field Research
Since film is a visual medium, it is integral that a
scriptwriter get an accurate picture of the visual information in the film. He
could go to the various locations in which the film will be shot, or to
locations where events took place earlier or will take place in the future.
Digging Deep
Every
scriptwriter wants to write a brilliant script and he is digging deep and
going beyond the facts.
The ‘Heart’ of the issue
The scriptwriter could find out more insightful details
about the theme.
The ‘Root’ of the issue
The scriptwriter would find out new and innovative trustful
things
The possibilities of branching out to explore
The issue in greater detail is endless. The scriptwriter
should then choose which of the details add value to the film.
Finding Challenges
An issue, when explored in a film, is complete when there
is introduced that challenges or make think of the issue.
The Documentary Film Treatment
Treatment of the documentary is very different from
the treatment or an a film or news film. In news film where the 'time
span is very short and one has to hit the point directly.
The next step would be the making of the film
treatment, the fine of the story, the imaginative way of narrating a theme.
DOCUMENTARY STORYBOARD TEMPLATE
A storyboard will match up your written script with the
visuals the viewer will see on the screen and the audio they will hear.
NOTES:
- Length:
The
average length of a script is about 5-7 pages double-spaced. Before
beginning your storyboard, be sure to read your script out loud at a
normal pace to make sure it is not too long.
- Suggested
Times:
These times are only suggestions. These are suggested
final run times, which will include not just the words you are saying, but
also any other audio (interview clips, songs) and pauses for transitions.
Your documentary can be no longer than 10 minutes.
- Sections
of your Documentary: The
sections below are not required, but can be a good place to start. You get
to decide how you divide up your documentary. No matter how you divide up
your documentary, make sure you talk about what happened before, during,
and after the main events of your topic.
- Photos: Before you start using the
storyboard template, you should have already collected a variety of
visuals to be used in your documentary.
INSTRUCTIONS:
- The
Audio column will show the words the viewer is hearing. Copy your
script into the Audio column. Use a new row each time the visual on
the screen changes. The Audio column will include both the words in your
narration as well as a transcript of any audio clips you plan on including
(speeches, songs, etc.)
- Your
visuals may be static (photos, newspapers, etc.) or video footage.
You can paste a copy of the image into the Visual column, include a link
to the saved file, or write a text description of the visual. Be sure to
include the file name so you can find it later!
- Use
the Notes column to write down any reminders for yourself that you
may need to create your documentary.
SAMPLE
The following partial storyboard is courtesy of Neil Grube,
who participated in National History Day in 2017.
Notes |
Visual |
Audio |
Zoom in on Wheeler’s face. |
Link to Google Doc |
[Me]:
In 1902, Wayne Wheeler became the general counsel of the Anti-Saloon League.
Wheeler coalesced multiple early temperance groups by inventing and using
lobby group tactics. |
Be sure to use a high-resolution version of this picture. |
Link to Google Doc |
[Me]: United
under Wheeler and welding enormous power, they took a stand for the passage
of an amendment prohibiting alcohol. |
Pan across the headline so you can read it. |
Link to Google Doc |
[Me]:
As a result of their united power, the Prohibition amendment was ratified in
1919 and took effect in 1920 |
Introduction (1 minute)
General introduction to documentary. Incorporate thesis and
theme words. Don’t have to label as “thesis” or put on screen in text. Remember
it’ the road map to your project.
Notes |
Visual |
Audio |
Add more lines by right clicking in the table and selecting
Insert Row Below
Background/Build-Up (2 minutes 30 seconds)
Place your topic in historical context. What information do
we need to know to understand your topic? What outside people, ideas, or events
influenced your topic? Who are the main players? What events lead up to the
main event?
Notes |
Visual |
Audio |
Add more lines by right clicking in the table and selecting
Insert Row Below
Main Event (2 minutes 30 seconds)
Major details about the main events in your topic. Include
specific details about the most critical people and events related to your
topic. This section generally covers a smaller time period (several months to
several years).
Notes |
Visual |
Audio |
Add more lines by right clicking in the table and selecting Insert
Row Below Short- and Long-Term Impact (2 minutes 30 seconds)
What are some of the immediate reactions to the main event,
shortly after it happened? What changed? New laws? New ways of thinking? Who
was affected by the event? How was the world different after the main events of
your topic? What is the long term significance? Were there intended/unintended
consequences? Did it influence other historical events?
Notes |
Visual |
Audio |
Add more lines by right clicking in the table and selecting
Insert Row Below
Conclusion/Wrap-Up (1 minute)
Restate your thesis and theme connection. Focus on the main
points you want your audience to take away. Why is this topic important in
history?
Notes |
Visual |
Audio |
Add more lines by right clicking in the table and selecting
Insert Row Below
3) After the shooting script which will give an idea of visualization it will have to be made into a break down script which will narrate:
- Shot
No.
- Summary
of Action
- Costume
- Notes
- Props
Cast
4) The next step will follow the technical planning
which will include
(i) Cost of location shootings
(ii) Studio recording
(iii) Graphic treatment
(iv) Sound effect
(v) Visual effect
(vi) Editing
(vii) cost of overheads
(viii) Other expenses.
5) Planning stage of documentary will complete with a
total pen sketch of its production, cost-time frame, shooting
schedule and editing schedules worked out.
6) In the given situation the pen sketch and subsequent
scenario will narrate the entire sequence of shooting and the
role of the anchor person -his acting schedules and visualisation of his
presentation of the theme.
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