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Wednesday, 23 December 2015

Define subject of a screen play.-Endings and Beginnings

The subject of a screenplay is defined as the action—what happens—and the character—whom it happens to. 
There are two kinds of action
physical action : a car chase and emotional action; a crying.  
We can broke the concept of character  down into two componentsinterior and ex­terior. 

Define of screenplay structure.
 The definition of screenplay structure is "a linear progression of related incidents, episodes, and events leading to a dramatic resolution. That means your story moves forward from beginning to end.  
We have got approximately ten pages (about ten minutes) to establish three things to your reader or audience: 
(1) who is your main char­acter? 
(2) what is the dramatic premise—that is, what's your story about? and 
(3) what is the dramatic situation—the circumstances surrounding our story?

What's the best way to open your screenplay? 
The first thing you have to know:  the resolution that is. the ending of our story?  
Resolution means solution; how is our story resolved? What is the solution? Does our character live or die? Get married or divorced? Win the race or not? The ending is the first thing we must know before we begin writing.  

Our story always moves forward—it follows a path, a direction, a line of progression from beginning to end. Direction is defined as a line of development, the path along which something lies.  

Resolution means "a solution or explanation'  When we are laying out our story line, building it, putting it together, scene by scene, act by act,  we must first determine the resolution. The resolution must be clear in our mind before we write one word on paper; it is context, it holds the ending in place. 
Our story is really a journey, the end its destination. It seems that one of the major difficulties screenwriters deal with is the problem of endings: how to end your screenplay so it work effectively, so it's satisfying and fulfilling, so it makes an emotional impact on the reader and audience, so it's not contrived or pre­dictable, so it's real, believable, not forced or fabricated; an ending that resolves all the main story points; an ending, in short, that works. The end of one thing is always the beginning of something else. 

In Kaka Muttai the kids got PIza how the piza seller solve the problem  . Like wise In IRUTHI SUTRU whether she got national award or not?whether the coach make her winner or looser 

The screenwriter's job is to keep the reader turning pages. The first ten pages of our screenplay are absolutely the most crucial. Within the first ten pages, a reader will know whether your story is working or not, whether it's been set up or not. 

An opening can be visually active and exciting, grabbing the au­dience immediately. Another kind of opening is expository, slower-paced in establishing character and situation: Our story determines the type of opening we choose. The opening of our screenplay has to be well thought out and visually designed to illustrate what our story is about. 

Before we write one shot, one word of dialogue on paper, we must know four things:  ending,  beginning, Plot Point I, and Plot Point II. In that order. these four elements, these four incidents, episodes, or events, are the cornerstones, the foundation, of our screenplay. 

The opening of our script will determine whether the reader continues reading our screenplay or not. The reader must know three things within these first few pages of the script:
 the character—who the story is about; 
the dramatic (or comedic) premise—what the story is about; and 
the situation—the circumstances surrounding the action. 
Within those first ten pages, the reader is going to make a decision about whether he/she likes or dislikes the material.

 what makes a good ending? 

First of all, by sat­isfying the story; audience want to feel full and satisfied.  The ending comes out of the beginning. Someone, or something, initiates an action, and how that action is resolved becomes the story line of the film. Endings and beginnings: two sides of the same coin.

 Source:Syd field Screen play -The foundations  of screen writing. page no 86-97
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