Writing Assignment: Film Appreciation
Students, your assignment is to write a film
appreciation essay.
Film Review Guidelines
1: Offer your overall impression of the film while
mentioning the movie's title, director, and key actors.
2: Summarize the plot of the film
3: How did the actors portray key character roles?
2: Summarize the plot of the film
3: How did the actors portray key character roles?
4: Were any particular film techniques used in key scenes?
How did the film techniques and music enhance the setting and themes of the
film? You may need two paragraphs to explain this information.
5: Ending paragraph--your last opportunity to guide the reader. Offer a clincher that tells the reader to attend the film or not.
5: Ending paragraph--your last opportunity to guide the reader. Offer a clincher that tells the reader to attend the film or not.
6: Create your essay with 12 Point Text, single
spaced, Ariel. You can write it with Word, Pages or Google Docs and email to
me, and print and hand in. Submit as a Viva with the aid of Power Point.(Slide 10-15)
Guide to Critical Assessment of Film
BACKGROUND
- · Who is the writer of the film? Has the screenplay been adapted from another work?
- · Who is the director?
- · When was the film made?
STRUCTURE / FORM
- · What does the title mean in relation to the film as a whole?
- · How are the opening credits presented? Do they relate to a meaning?
- · Why does the film start in the way that it does?
- · Are there any motifs (scenes, images) of dialogue which are repeated? What purpose do they serve?
- · What three or four scenes or sequences are most important in the film? Why?
- · Is sound used in any vivid ways either to enhance the film? (i.e. Enhance drama, heighten tension, disorient the viewer, etc.)
- · How does the film use color or light/dark to suggest tone and mood in different scenes?
- · Are there any striking uses of perspective (seeing through a character's eyes, camera angle, etc.) How does this relate to the meaning of the scene?
- · What specific scene constitutes the film's climax? How does this scene resolve the central issue of the film?
- · Does the film leave any disunities (loose ends) at the end? If so, what does it suggest? What might happen next that is left unseen.
- · Why does the film conclude on this particular image?
THEME
- · What is the definitive or overall theme of the film?
- · Does the film present a clear point-of-view on this theme?
- · Are there any aspects of the theme which are left ambiguous at the end? Why?
- · How does this film relate to the other literary texts or films you have read or seen?
Asst. Prof. J.P Josephine Mary, baba.josephine@gmail.com
To Write an assignment on Film Studies |
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Movie Name | Producer/Director | Registration No. | |
1 | Aadukalam | Kathiresan | 16VCE 1 |
2 | Aadum Koothu | Light and Shadow Movie Makers | 16VCE 2 |
3 | Aanandham | R. B. Choudary | 16VCE 3 |
4 | Anniyan | Oscar Ravichandran | 16VCE 4 |
5 | Autograph | Cheran | 16VCE 5 |
6 | Azhagi | D. Udhaya Kumar | 16VCE 6 |
7 | Bharathi Kannamma | Henry | 16VCE 7 |
8 | Bharati | Messers Media Dreams (P) Ltd | 16VCE 8 |
9 | Bombay | S. Sriram | 16VCE 9 |
10 | Housefull | R. Parthiban | 16VCE 10 |
11 | Indian | A. M. Rathnam | 16VCE 11 |
12 | Iyarkai | V. R. Kumar | 16VCE 12 |
13 | Kaaka Muttai | Dhanush | 16VCE 13 |
14 | Kandukondain | Kalaipuli S. Dhanu | 16VCE 14 |
15 | Kannathil Muthamittal | • Mani Ratnam | 16VCE 15 |
16 | Kaththi | K. Karunamoorthi | 16VCE 16 |
17 | Kuttram Kadithal | Chris Pictures & JSK Film Corporation | 16VCE 17 |
18 | Mynaa | John Max | 16VCE 18 |
19 | Naadodigal | Michael Rayappan | 16VCE 19 |
20 | Natpukaaga | A. M. Rathnam | 16VCE 20 |
21 | Navarasa | Sunil Doshi | 16VCE 21 |
22 | Ooruku Nooruper | L. Suresh | 16VCE 22 |
23 | Paruthiveeran | K. E. Gnanavelraja | 16VCE 23 |
24 | Pasanga | M. Sasikumar | 16VCE 24 |
25 | Periyar | M/s Liberty Creations Ltd. | 16VCE 25 |
26 | Pithamagan | V. A. Durai | 16VCE 26 |
27 | Sethu | A. Kandasamy | 16VCE 27 |
28 | Subramaniyapuram | Sasikumar | 16VCE 28 |
29 | Thanga Meengal | Gautham Menon, | 16VCE 29 |
30 | Thenmerku Paruvakaatru | Shibu Issac | 16VCE 30 |
31 | Vaagai Sooda Vaa | • S. Muruganandham | 16VCE 31 |
32 | Vaaranam Aayiram | Venu Ravichandran | 16VCE 32 |
33 | Vazhakku Enn 18/9 | N. Linguswamy | 16VCE 33 |
34 | Veyil | Shankar | 16VCE 34 |
35 | Visaranai | Wunderbar Films | 16VCE 35 |
36 | Pathemari | Allens Media | 16VCE 36 |
37 | Munnariyippu | Ranjith | 16VCE 37 |
38 | Drishyam | Anthony Perumbavoor | 16VCE 38 |
39 | Ayalum Njanum Thammil | Prem Prakash | 16VCE 39 |
40 | Traffic | Listin Stephen | 16VCE 40 |
41 | Pranchiyettan and the Saint | Renjith | 16VCE 41 |
42 | Pazhassi Raja | Gokulam Gopalan | 16VCE 42 |
43 | Thirakkatha | Ranjith, Maha Subair | 16VCE 43 |
44 | Kadha Parayumbol | Sreenivasan, Mukesh | 16VCE 44 |
45 | Notebook | P. V. Gangadharan | 16VCE 45 |
46 | Achuvinte Amma | P. V. Gangadharan | 16VCE 46 |
47 | Kaazhcha | Noushad Xavy and Manoj Mathew | 16VCE 47 |
48 | Manassinakkare | Maha Subair | 16VCE 48 |
49 | Nandanam | Sideeq | 16VCE 49 |
50 | Meghamalhar | M. V. Shreyams Kumar | 16VCE 50 |
51 | Karunam | Jayaraj, Antony Irinjalakkut | 14 VCE 19 |
52 | Chinthavishtayaya Shyamala | C. Karunakaran | |
53 | Bhoothakkannadi | N.Krishnakumar | |
54 | Thooval Kottaram | P. V. Gangadharan | |
55 | Spadikam | R. Mohan | |
56 | Sukritham | M M Ramachandran | |
57 | Vatsalyam | H.M.Basheer | |
58 | Sargam | Bhavani Hariharan | |
59 | Perumthachan | G. Jayakumar | |
60 | Thazhvaram | V.B.K. Menon | |
61 | Oru Vadakkan Veeragatha | P. V. Gangadharan |
Information is always a treasure.
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