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A stage play Script

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Proscenium Stage


The proscenium is the most popular type of theater stage. The stage faces out and is well known for its curtain, which separates the production from the audience. 
Thrust Stage


The thrust stage brings the audience closer to the production. The stage itself and the surrounding audience chairs form a semicircle.


Theater in the Round

The “theater in the round” quite literally gives the audience a unique perspective every time they see the play. It also changes the dynamic of how you present scenes.


A stage play is a story written that’s intended to be performed in a theater. Stage plays usually include a character glossary (dramatis personae), setting and time, and outlined act and scenes. Intermissions and act/scene-endings are almost always written into the script, as are stage directions, dialogue, and actions.

Famous Types of Stage Plays:

  • Comedies
  • Dramas
  • Tragedies
  • Histories
  • Satires
  • Musicals
  • Farces

Guide to play script formatting

The first is the title page — which is very similar to a screenplay title page.


Standard Playwriting Format


Title page check. Now it’s time to write the dramatis personae. The dramatis personae is just a character glossary — and it should look something like this:

Shakespeare's plays,
listed by genre

COMEDIES

HISTORIES

TRAGEDIES

Karnad's best-known plays
One of Karnad's best-known works, this 1964 play tells the story of 14th-century Delhi ruler Muhammad Bin Tughlaq. 

  • Maa Nishaadha" (One Act Play)
  • "Yayati" (1961)
  • "Tughlaq" (1964) (translated in Hindustani by B. V. Karanth. Major Indian directors who have staged it: Ebrahim Alkazi, Prasanna, Arvind Gaur, Dinesh Thakur & Shyamanand Jalan (in Bengali).
  • "Hayavadana" (1971)
  • "Anjumallige" (1977) (translated in Bengali name "JAMINI", by Dr. Biswa Roy, 
  • "Hittina Hunja" aka "Bali" (The Sacrifice) (1980)
  • "Nagamandala" (1988) (Play with Cobra), based on the script of this play, Nagamandala, A movie in Kannada language was released in 1997, starring Prakash Raj and Vijayalakshmi.
  • "Taledanda" (1990) (Death by Beheading), in Hindi it is known as Rakt-Kalyan translated by Ram Gopal Bajaj, first directed by Ebrahim Alkazi for NSD rep., then by Arvind Gaur (1995–2008, still running) for Asmita Theater Group, New Delhi.
  • "Agni mattu Male" (1995) (Agni Aur Varsha, The Fire and the Rain), first directed by Prasanna for NSD Rep.
  • "Tipu Sultan Kanda Kanasu" (The Dreams of Tipu Sultan)
  • "Odakalu Bimba" (2006) (Hindi, Bikre Bimb; English, A heap of Broken Images)
  • "Maduve Album" (2006)
  • "Flowers" (2012)
  • "Benda Kaalu on Toast" (2012)
  • "Rakshasa Tangadi" (2018)

Types of Playwriting

Playwriting can be done in the following most common areas: 

  • Ten-Minute Plays: A good ten-minute play is not a sketch or an extended gag, rather it’s a complete, compact play, with a beginning, middle, and end. 
  • One-Act Plays: A good one-act focuses on one main action or problem; there’s no time to get into complicated layers of the plot. They can run from fifteen minutes to an hour or so.irome sharmila
  • Full-Length Plays: Full-Length plays are also called evening-length plays because they’re long enough to be their evening. 
  • Musicals: These are rare acts, and musical plays can run the gamut in length from ten minutes. 
  • https://www.youtube.com/watch?v=PSyedQl9IiQ&pp=ygUObXVzaWNhbHMgcGxheXM%3D

Six Aristotelian Elements of Playwriting 
  1. What does plotting mean in playwriting?

    Playwriting is the art of writing a script for a play or drama. The profession of playwriting has been around for centuries, although it was more popular during some eras. 


  3. Successful playwriting depends not only on dialogue but on intelligent plotting, credible characterization, and the ability to develop a theme.


  5. The arrangement of events or incidents on the stage is known as plotting. The plot is composed of clearly defined problems for the characters to solve. It is to be differentiated from the story which is a chronological detailing of events that happened on and off stage. 

  6. The playwright must create a plot that should be credible and astonishing.

    1. Plot
    2. Characterization
    3. Theme
    4. Dialogue 
    5. Rhythm
    6. Spectacle

Plot

The arrangement of events or incidents on the stage is known as plotting. The plot is composed of clearly defined problems for the characters to solve. It is to be differentiated from the story which is a chronological detailing of events that happened on and off stage.

 The playwright must create a plot that should be credible and astonishing. 

Characterization

Characterization is another skill that the writer for the stage must come to faster. Characters must be “round” and not “flat”, meaning that they must have multiple dimensions, a thinkable combination of needs, hopes, inhibition, and fears of real human beings. Characters must motivate the events of the plot. 

Theme

The theme is a reason the playwright write the play. Playwriting must include something which it describes. A playwright must have a purpose that the literary work embodies. 

Dialogue 

Dialogue is a credible form of discourse that avoids cliche and artificiality and that varies just as characters do. Dramatic dialogue in playwriting must consist of two parts; narrative and dramatic. 

Rhythm

Rhythm is the heart of the play. Plot, character, dialogue, and spectacle all have their rhythms in time. The combination of all these rhythms creates the impelling force of the play leading to a final climax. Rhythm creates the mood. 

Spectacle

Everything that is seen or heard on stage. Actors, sets, costumes, lights, and sound

Act One

Scene 1

Writopia Lab, New York City. Day.

DAN, a tall Writopia instructor, sits on the couch. He munches on a bunch of potato chips, crumbs fall on his lap. He brushes them off into the crevasses of the couch. REBECCA enters the room with her coat on.

REBECCA

Dan?

DAN

What?

REBECCA

Did you just brush off your crumbs in the couch?

DAN

shrugging

No.

REBECCA

You’re lying. And now I have to sweep them up.

DAN gets up and walks up to REBECCA.

DAN

Don’t worry about it. I’ll do it.

REBECCA and DAN freeze, staring at one another as the lights on them dim down. Lights come up from behind the couch, where a large chip crumb named NORMAN breaks out into song.

NORMAN THE CRUMB

Dan won’t sweep me up, he will forget about me. I’m so lucky — here at Writopia with instructors like Dan!


https://www.opensourceshakespeare.org/views/plays/plays.php

https://www.opensourceshakespeare.org/views/plays/plays.php

https://www.thoughtco.com/plays-theater-newcomers-should-see-2713601


tamil drama script

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